Film

After running away from his negligent parents, committing a violent crime and being sentenced to five years in jail, a hardened, streetwise 12-year-old Lebanese boy sues his parents in protest of the life they have given him. "In “Capernaum,” the heartache of the underprivileged is on such interminable display that you feel the physical hurt in your bones. But the manner in which the filmmaker renders these pains somehow doesn’t feel exploitative or gratuitous—there is a nuanced matter-of-factness even in Labaki’s empathy that prevents it to ever become pity. If anything, the co-writer/director seems to know and care about the exact kind of kid she follows in “Capernaum,” a fighter who has no option but to remain independent, resourceful and tireless at the end of each exhausting day the sun sets on, with no promise of a brighter tomorrow." -Tomris Laffly 'rogerebert.com'

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, in fact, before anyone, man or woman had made such a trip, 23-year old Canadian biologist, Anne Innis Dagg, made an unprecedented solo journey to South Africa to become the first person in the world to study animal behavior in the wild on that continent. When she returned home a year later armed with ground-breaking research, the insurmountable barriers she faced as a female scientist proved much harder to overcome. In 1972, having published 20 research papers as an assistant professor of zoology at University of Guelph, the Dean of the university, denied her tenure. She couldn't apply to the University of Waterloo because the Dean there told Anne that he would never give tenure to a married woman. This was the catalyst that transformed Anne into a feminist activist. For three decades, Anne Innis Dagg was absent from the giraffe world until 2010 when she was sought out by giraffologists and not just brought back to into the fold, but finally celebrated for her work.

After running away from his negligent parents, committing a violent crime and being sentenced to five years in jail, a hardened, streetwise 12-year-old Lebanese boy sues his parents in protest of the life they have given him. "In “Capernaum,” the heartache of the underprivileged is on such interminable display that you feel the physical hurt in your bones. But the manner in which the filmmaker renders these pains somehow doesn’t feel exploitative or gratuitous—there is a nuanced matter-of-factness even in Labaki’s empathy that prevents it to ever become pity. If anything, the co-writer/director seems to know and care about the exact kind of kid she follows in “Capernaum,” a fighter who has no option but to remain independent, resourceful and tireless at the end of each exhausting day the sun sets on, with no promise of a brighter tomorrow." -Tomris Laffly 'rogerebert.com'

Dames Judi Dench, Eileen Atkins, Joan Plowright, and Maggie Smith get together for tea to reminisce and discuss their acting careers. “What happens when four living stage legends sit down to tea? In Roger Michell’s charming documentary, they gossip, argue and admit that they don’t remember everything… … it’s ultimately big fun having tea with these Dames.” -Susan G. Cole ‘NOW Toronto’

In the 1950s, a music director falls in love with a singer and tries to persuade her to flee communist Poland for France. "An aching film on such exquisite pains of impossible love, Paweł Pawlikowski’s “Cold War” concurrently swells your heart and breaks it, just like the sore memory of a lover that drifted away from your life, or an intensely craved kiss that never was. It’s a tale with the makings of legendary sagas, following the union and break-up (and union and break-up again and again) of Wiktor and Zula, a classically gorgeous couple from the opposite sides of the tracks. They first meet deep in the dilapidated countryside of the post-World War II Poland. They exchange suggestive glances and embark on a stormy affair that disastrously evolves over two isolating decades and numerous unsympathetic locales across Europe.” -Tomris Laffly 'rogerebert.com'

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, in fact, before anyone, man or woman had made such a trip, 23-year old Canadian biologist, Anne Innis Dagg, made an unprecedented solo journey to South Africa to become the first person in the world to study animal behavior in the wild on that continent. When she returned home a year later armed with ground-breaking research, the insurmountable barriers she faced as a female scientist proved much harder to overcome. In 1972, having published 20 research papers as an assistant professor of zoology at University of Guelph, the Dean of the university, denied her tenure. She couldn't apply to the University of Waterloo because the Dean there told Anne that he would never give tenure to a married woman. This was the catalyst that transformed Anne into a feminist activist. For three decades, Anne Innis Dagg was absent from the giraffe world until 2010 when she was sought out by giraffologists and not just brought back to into the fold, but finally celebrated for her work.

Dames Judi Dench, Eileen Atkins, Joan Plowright, and Maggie Smith get together for tea to reminisce and discuss their acting careers. “What happens when four living stage legends sit down to tea? In Roger Michell’s charming documentary, they gossip, argue and admit that they don’t remember everything… … it’s ultimately big fun having tea with these Dames.” -Susan G. Cole ‘NOW Toronto’

In the 1950s, a music director falls in love with a singer and tries to persuade her to flee communist Poland for France. "An aching film on such exquisite pains of impossible love, Paweł Pawlikowski’s “Cold War” concurrently swells your heart and breaks it, just like the sore memory of a lover that drifted away from your life, or an intensely craved kiss that never was. It’s a tale with the makings of legendary sagas, following the union and break-up (and union and break-up again and again) of Wiktor and Zula, a classically gorgeous couple from the opposite sides of the tracks. They first meet deep in the dilapidated countryside of the post-World War II Poland. They exchange suggestive glances and embark on a stormy affair that disastrously evolves over two isolating decades and numerous unsympathetic locales across Europe.” -Tomris Laffly 'rogerebert.com'

In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, in fact, before anyone, man or woman had made such a trip, 23-year old Canadian biologist, Anne Innis Dagg, made an unprecedented solo journey to South Africa to become the first person in the world to study animal behavior in the wild on that continent. When she returned home a year later armed with ground-breaking research, the insurmountable barriers she faced as a female scientist proved much harder to overcome. In 1972, having published 20 research papers as an assistant professor of zoology at University of Guelph, the Dean of the university, denied her tenure. She couldn't apply to the University of Waterloo because the Dean there told Anne that he would never give tenure to a married woman. This was the catalyst that transformed Anne into a feminist activist. For three decades, Anne Innis Dagg was absent from the giraffe world until 2010 when she was sought out by giraffologists and not just brought back to into the fold, but finally celebrated for her work.

After running away from his negligent parents, committing a violent crime and being sentenced to five years in jail, a hardened, streetwise 12-year-old Lebanese boy sues his parents in protest of the life they have given him. "In “Capernaum,” the heartache of the underprivileged is on such interminable display that you feel the physical hurt in your bones. But the manner in which the filmmaker renders these pains somehow doesn’t feel exploitative or gratuitous—there is a nuanced matter-of-factness even in Labaki’s empathy that prevents it to ever become pity. If anything, the co-writer/director seems to know and care about the exact kind of kid she follows in “Capernaum,” a fighter who has no option but to remain independent, resourceful and tireless at the end of each exhausting day the sun sets on, with no promise of a brighter tomorrow." -Tomris Laffly 'rogerebert.com'